The silver clock upon her desk struck six. It had been a gift from her father when she was at Girton. It never obtruded. Its voice was a faint musical chime that she need not hear unless she cared to listen. She turned and looked at it. It seemed to be a little face looking back at her out of its two round, blinkless eyes. For the first time during all the years that it had watched beside her, she heard its quick, impatient tick. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”!

“I take myself as typical,” she continued. “When I was twenty I could have loved you. You were the type of man I did love.” “If the world were properly stage-managed, that’s what you ought to be,” he said, “the wife of a Prime Minister. I can see you giving such an excellent performance.”

Her strength was gone and she could only wait. More soldiers had come up and were using their fists freely, and gradually the crowd retired, still snarling; and they lifted him up and brought him to her. Joan had no idea the park contained such pleasant by-ways. But for an occasional perambulator they might have been in the heart of the country. The fallow deer stole near to them with noiseless feet, regarding them out of their large gentle eyes with looks of comradeship. They paused and listened while a missal thrush from a branch close to them poured out his song of hope and courage. From quite a long way off they could still hear his clear voice singing, telling to the young and brave his gallant message. It seemed too beautiful a day for politics. After all, politics—one has them always with one; but the spring passes. “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”